Thursday, September 15, 2011

Different Folks, Diff’rent Strokes: Teach for India and Teach for America

Teach for India (TFI) (http://www.teachforindia.org) is inspired by Teach for American (TFA) (http://www.teachforamerica.org). Both of them provide an opportunity for academically proficient young people to serve as teachers for two years in hard-to-staff schools in India and the U.S. respectively. However, I see two major differences between TFI and TFA.
First is the niche that the TFI Fellows/TFA corps members fill. India needs teachers; there is a desperate shortage of teachers for all grades, especially in low-end private schools and government schools. Teachers in the latter are notorious for their absences from school and being disengaged from students and classrooms. With TFI teachers in such schools, for those two years at least students will hopefully have a teacher who is present, perhaps cares, and may even provide cognitive input. There is no such shortage that TFA makes up for in the U.S. The hard-to-fill spots in the US are mainly in math and the sciences, and most of TFA corps members (12%) are not in these areas. However, they may work in inner-city schools, where teachers are always hard to get, though this is not true this year when qualified teachers have been a surplus. In fact, in these years of cutbacks, some school districts have let go qualified teachers and engaged TFA interns, which cuts the cost of staff and but clearly does not respect professionalism.
Secondly, education and schools in India need support and broad-based understanding from all sections of society. With such a high illiteracy rate (67%), it is important for society as a whole to support the cause of education. While respect for teachers and investment in education has waned in the U.S. in the past decade, advocacy for education as a cause far outstrips the level of dialogue and funding in India. The vaunted aim of TFI is that “In the long-run, Teach For India will build a powerful and ever-growing leadership force of alumni who, informed by their experiences and insights, will work from inside and outside the educational system to effect fundamental, long-term changes necessary to ultimately realize educational opportunity for all.” Building such a cadre of allies that TFI alumni present is essential in India. No so much in the U.S.
One of the major criticisms of TFA has been its lack of transparence. It has been sparing with its data, and selective about what it has released in its 20 years of existence. It is hoped that TFI will be more accessible and transparent so that its successes may be lauded (backed by hard data), its service more accountable to the public, and its struggles informed by better advice. In 2010, its second year, TFI placed 316 Fellows in 95 schools in 3 cities. I wonder how many of them have come back for their second year.
One aspect of TFI causes me concern: It is unfortunate that in describing Who We Are Looking For (http://www.teachforindia.org/who-we-are-looking-for.php), there is not one word about the qualities and soft skills that are essential for a good teacher, about how to relate to and how to value students they will be teaching. The two years TFI Fellows spend in the classrooms seem to be immaterial, unimportant, more like a training ground for leadership and less about reaching students in the classrooms. Perhaps in the interview, TFI will focus on teachers that students need rather than leaders who will forge ahead in their careers after their stint with TFI?

Saturday, September 10, 2011

Neenga Engiyo Poittenga Saar …


Art is supposed to cut across cultural connotations and references. This blog has tons of the second and as for the first concept…. So if you don’t want to look up references, or don’t have referents to Tamil cinema, stop reading. However, if you would just like to hear from me … Ensoy!

The ace cinematographer, Madhu Ambat, who has also worked with my sister on her two films and is a friend of the family, received his third (!) national award. His wife Lata kindly invited me and my niece Dhrishya to the function. So I got out my best clothes and my make-up kit out, and it was worth it. This year, the awards were dominated by South Indian film industry, which gave me a lot of pleasure. Pre-event time was spent trying to identify celebrities and artistes.  There were quite a few who were dressed to kill. With a couple of them, Dhrishya was quite ready to take cotton pads to remove about 5 layers.

We sat in the row in front of K. Balachander’s family, and I muscled in on his wife and had a long chat with her. It was lovely to meet someone who lives down the lane from us and whom I had never met before. She was gracious and very pleasant. Not so incidentally, I have grown up on his movies and admire him a lot. Noolveli, Bama Vijayam, Arangetram  – I wonder if anyone has done an indepth analysis of his female characters. Worth a thesis, I would say. Perhaps my next research piece. It will be an excellent excuse to watch my old favorites over again.

When Dhanush went up to receive his award, the Chennai contingent whistled, the only time it happened; Dhrishya got a mighty kick out of that. And I could smell Saranya’s mallipoo (jasmine) all the way across the aisle. Hmmmm …

The downside of it all were the emcees, Mahi Gill and Rajat Kapoor. They were bad, to put it mildly. They did nothing when there was a lag of about 10 minutes before the function officially began. Mahi Gill’s pronunciation was god-awful. She absolutely murdered Thenmerku Paruvakaatru, not that we expected anything else. But surely a certain amount of professionalism and respect for fellow artistes is not an unreasonable expectation? To top it all, Mahi Gill has the temerity to get free publicity by listing her recent and upcoming films in her introduction. Crass commercialism.

A strange experience – As we were leaving, we saw an awardee. Given my beautiful manners (ahem!), I congratulated him but confessed I hadn’t yet seen his film since I lived in the US and had not had time to. He shared that it was his first film; he came into acting at a late stage in life; and he wasn’t sure if he would continue to act. Then he insisted on giving me his phone number and asked me to call him with my comments. I don’t know if he was looking for affirmation as an actor, which was strange since he had just been recognized on a national platform. Or whether he thought I was a celebrity and was trying to establish connections. Or whether he was just trying to come on to me. Or if he was drunk, perhaps with happiness. I am going to give him the benefit of doubt and attribute his attempt to building a fan base. Definitely an amusing end to an entertaining evening.